Marijn van Kreij: Nude in the Studio

The large Jugendstil windows and the view on a garden with cactuses, eucalyptus and palm trees found their way into Picasso’s paintings. These interior landscapes, as Picasso called them, show unfinished paintings and sculptures, painters’ materials, musical instruments and other objects that he used as props in his work.

At Marres, van Kreij presented hundreds of drawings and gouache paintings, from monumental works on thick watercolor paper to loose series on sketchbook paper, advertising leaflets and other printed matter. He combined these works with sound sculptures made from collected and found materials and a series of stools from his studio. At the historical Marres house with its intimate rooms and beautiful city garden, an association with Picasso’s summery studio on the Mediterranean coast arisose almost instantly.

In the past years, Marijn van Kreij has worked on a series of drawings and paintings modeled after Picasso’s interior landscapes. Reproductions in books form the starting point of a new creation process, focused on the act of drawing and painting. Van Kreij: ‘I empty out the image, and at the same time it fills itself with new interpretations.’ The artist is alone in his studio when he appropriates the images and examines the possibility of endlessly applying differences. At some point, however, he wishes to involve others. He created the title work of the exhibition Marijn van Kreij: Nude in the Studio in collaboration with schoolchildren from the Japanese mountain village Kamiyama.