Ingrid Berger Myhre – Terms & Conditions 

Photo: Henrik Follesø Egeland

How do we use the body as a conduit for language? Under what circumstances must the body act out, adjust, or contradict language? And what do you do with variable interpretations of words?  

Spoken language is always accompanied by gestures. We emphasize our words or soften them, we extend their meaning or brush it off. The silent contract between language and movement is the subject of the engaging performance titled Terms & Conditions by Ingrid Berger Myhre. 

Etymology is the part of linguistics that deals with where words come from. It looks at the connections between concepts and meanings, and how these have changed over time depending on context and use. Etymology can be seen as a kind of map of the movement and relationships of words, both formally and semantically. We use this as a framework to think about how language moves choreographically. Using game structures and choreographic assignments we will explore the literal and metaphorical, embodied cognition, associative trains of thought, related meaning, formal shifts and puns.

Date:

Terms & Conditions takes place on Friday evening, October 31, 2025.

Keep an eye on this page and our socials for more details.

Location:

Marres, Huis voor Hedendaagse Cultuur
Capucijnenstraat 98, Maastricht

Photo: Henrik Follesø Egeland
Photo: Tale Hendnes

Ingrid Berger Myhre

Ingrid Berger Myhre (1987, Oslo, Norway) is a choreographer and performer based in Brussels. She holds an MA in Choreography; Research and Performance from ex.e.r.ce at the Choreographic Centre in Montpellier and later deepened her project literacy in dance at the Research Studio’s at P.A.R.T.S. Since 2015, she has developed her work as associate artist at Dansateliers Rotterdam, periodically with the support of the Dutch Performing Arts Funds, and the Advancing Performing Arts Project (apap) network.

Language and semiotics are central elements to Berger Myhre’s artistic work. Her curiousity for how we read and understand dance, comes together in unpretentious and humorous performances. With her first 2 productions selected for Aerowaves, her work has since 2018 toured extensively in Europe in places like SPRING Festival, Tanzwerkstatt Europa, Kaaitheatre, STUK, Sommerszene and more. Her longstanding and continuous collaboration with composer and sound artist Lasse Passage takes many forms, most recently the stage performance No Dreams, No Gold (2025).

Since 2020, Berger Myhre is supported internationally by Caravan Production.

Credits

Research and direction: Ingrid Berger Myhre
Performer: Ingrid Berger Myhre
Developed in collaboration with: Yuhan Ashley Ho, Calvin Carrier, Hilde Ingeborg Sandvold
Outside eyes: Sara Manente, Geert Belpaeme
Residencies: STUK, Leuven (BE), Bora Bora, Aarhus (DK)
Co-production: Bærum Kulturhus (NO)
Supported by: Au Jus, Brussels (BE), I Am Undone (NO), Vlaamse Gemeenschap (BE)
Production: Caravan Production (BE)

Performance of gestures

The diptych on ‘performance of gestures’ by Amparo Gonzalez Sola and Ingrid Berger Myhre continues Marres’ long-standing tradition of exploring the language of the body. The Floor is Lava (2019) by artists Sander Breure and Witte van Hulzen, and Museum Motus Mori (2019) by choreographer Katja Heitmann, were also dedicated to this theme.

Press

For press requests, imagery and interview requests, please contact communicatie@marres.org

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Partners / thanks to

Dansateliers, SPRING Performing Arts Festival, Frascati Producties, BAU AIR (NL), Greenhouse (NL), Rooms Performance Festival (NL), workspacebrussels (BE), Tanzhaus Zürich (CH), CAMPUS Paulo Cunha e Silva (PT)

Marres receives structural support from the Ministry of Education, Culture and Science, the Province of Limburg and the Municipality of Maastricht.

Amparo González Sola – While Taking Shape

Amparo González Sola at Rooms Performance Festival 2025
Photo: © Sanne Peper

While Taking Shape is a month-long performance by dancer and choreographer Amparo González Sola at Marres. 

The performance takes place during the dismantling of the exhibition Vultures & Fireflies by Mexican artist Alejandro Galván. Visitors encounter the performers in a house where remnants of the exhibition are still visible, alongside traces of its deconstruction and empty spaces.

Playing with this context and the themes of the exhibition, González Sola asks: How close does something need to happen before we feel a connection or a sense of responsibility? The performance emerges from the growing sense of detachment in a world where terrible events are constantly projected onto our retinas through the media—an endless stream of images, moving at high speed and stripped of context, seemingly freezing our ability to feel.

By focusing on small gestures, the work invites us to reconsider the dynamics of gaze, distance, and proximity as we reflect on what it means to bear witness. At the end of each day, the performers retreat into a designated space, where they invite visitors for an intimate presentation. 

Follow us on social media for announcements and details.

Amparo González Sola
While Taking Shape

Date:

10 Sep—5 Oct 2025
During While Taking Shape, Marres is open from Wednesday to Sunday.

Time:

Continuous performance between 12—5PM
On Friday nights, Marres is open until 8PM. On these Friday nights and at different times during the week, González Sola gives workshops in which visitors are invited to engage with the research.

Location:

Marres, House for Contemporary Culture
Capucijnenstraat 98, Maastricht

Rooms Performance Festival 2025
Photo: © Sanne Peper

I know it’s happening, but who is it happening to? 
— Kae Tempest (Pictures on a Screen)

Photo: Michelle Urbiztondo

Amparo González Sola

Amparo González Sola’s (1984, Mendoza, Argentina) (she/her) work spans dance, choreography, and participative projects, and is distinctly influenced by feminist activism and her experience of migration. Her earlier works include The Conspiracy of Forms (2023) and If every rock is a hole (2022), presented at the SPRING Performing Arts Festival, and the participative project Exploring Reciprocity (2019-2023). She is an associate artist with Dansateliers (2025-2028).

Credits

Concept and direction: Amparo González Sola
Performance and research: Leandro de Souza and Amparo González Sola
Sound: Nahuel Cano
Light: Vinny Jones
Dramaturgical advice: Bek Berger
Production: Dansateliers

Coproduction: Dansateliers, SPRING Performing Arts Festival, Frascati Producties.
Support: BAU AIR (NL), Greenhouse (NL), Rooms Performance Festival (NL), workspacebrussels (BE), Tanzhaus Zürich (CH), CAMPUS Paulo Cunha e Silva (PT).

Performance of gestures

The diptych on ‘performance of gestures’ by Amparo Gonzalez Sola and Ingrid Berger Myhre continues Marres’ long-standing tradition of exploring the language of the body. The Floor is Lava (2019) by artists Sander Breure and Witte van Hulzen, and Museum Motus Mori (2019) by choreographer Katja Heitmann, were also dedicated to this theme.

Press

For press requests, imagery and interview requests, please contact communicatie@marres.org

Subscribe to press list

Partners / thanks to

Dansateliers, SPRING Performing Arts Festival, Frascati Producties, BAU AIR (NL), Greenhouse (NL), Rooms Performance Festival (NL), workspacebrussels (BE), Tanzhaus Zürich (CH), CAMPUS Paulo Cunha e Silva (PT)

Marres receives structural support from the Ministry of Education, Culture and Science, the Province of Limburg and the Municipality of Maastricht.